Poland

  • Krakow is the city Poland never lost

    Krakow is the city Poland never lost

    Rynek Główny, the Main Market Square in Kraków
    Photo: Andrzej Otrębski / Wikimedia Commons (CC BY-SA 4.0)

    While Warsaw was levelled in 1944, Krakow walked out of the war intact. That single historical fact explains more about the city’s character today — and about why a journey here feels different from any other Polish urban experience.

    Culture · Poland

    It is a Thursday morning in Stare Miasto, and the sun catches the brick of Mariacki Church the way only old architecture allows: at an angle, warm, and without urgency. It is quarter past eight, and from a window high in the church tower comes the hejnał — the short trumpet fanfare that has sounded every hour since the Middle Ages, and that always breaks off mid-note. The interruption is still there because, according to legend, a Mongol arrow struck the trumpeter in the throat in 1241. It is the kind of detail Krakow does not advertise. But if you stand on Rynek Główny one morning and listen, you know what you have heard.


    A city without a scar

    It is tempting to compare Krakow with other Central European capitals, but the comparison always limps. Krakow was Poland’s capital from the eleventh to the sixteenth century, and even after Warsaw took over in 1596, Krakow remained the country’s intellectual, religious and cultural anchor. That role it has never let go of. The Jagiellonian University, founded in 1364, is Poland’s oldest — Copernicus studied here — and remains one of the country’s most serious academic institutions.

    That matters for how the city looks today. Krakow is not a museum. It is a working university town with a historic core where students and professors walk the same streets they have walked for more than six centuries. In the cafés on Plac Szczepański people are actually reading. In the antiquarian bookshops in the small streets behind Rynek the owners talk about editions, not prices. It is a precise difference.


    Wawel, and what the hill actually contains

    Wawel Hill rises south of the Old Town, and most visitors spend three hours there. It deserves six. The royal castle is one thing — the tapestries, the chambers, the treasury with Szczerbiec, the holy sword used at coronations from 1320 to 1764. But it is the cathedral that carries the city’s memory. Polish kings are buried here. National poets lie at rest here. Karol Wojtyła — Pope John Paul II — was archbishop here before he became pope.

    If you stand quietly in a corner of the Sigismund Chapel and let your eyes adjust to the muted light, you see how precise Polish Renaissance art could be while Italy still dominated the style. The chapel, completed in 1533, is regarded by many art historians as the finest example of Renaissance architecture north of the Alps. It is a strong claim, and the chapel confirms it without resistance.

    Afterwards walk down to the Dragon’s Den by the Vistula river, where children wait for the metal dragon on the riverbank to breathe fire. It does so every few minutes. It is a small reminder that the city has never taken itself so seriously that it forgot how to enjoy itself.


    Kazimierz, where modern Krakow lives

    A twenty-minute walk southeast of Wawel lies Kazimierz, the city’s historic Jewish quarter. Until 1939 it was home to roughly 65,000 Jewish Cracovians — one of Europe’s oldest and most active Jewish communities. The Holocaust left the quarter almost empty. In the decades after the war it fell into decline. In the 1990s something remarkable began: Kazimierz slowly came back to life, not as reconstruction, but as a new chapter.

    Today it is the quarter where young Polish artists, chefs, designers and writers actually live. The galleries on ulica Józefa are not arranged for tourists — they hold their openings on Thursdays, attended by locals. The bookshop-cafés keep Polish-language titles on the front shelf. The club Alchemia on Plac Nowy has, since 1999, been the place where jazz musicians try out new material and where some of Poland’s most interesting literary readings take place in the cellar at night.

    That does not mean the Jewish history has been forgotten. The opposite. The synagogues — Stara, Remuh, Tempel — are open to visitors, and the old Jewish cemetery behind Remuh is one of the most quiet places in Krakow. The JCC Jewish Community Centre, opened in 2008, is not a memorial. It is an active institution that has rebuilt a living Jewish community in the city — today numbering several hundred members. To visit Kazimierz is to visit both what was and what is. It is a rare combination.


    The table the Cracovians have set

    Krakow is becoming one of Central Europe’s serious gastronomic cities, and it has happened quietly. Modern Polish cooking — mineral, precise, built on fermentation, game and old grains — has found its clearest voice in some of the city’s smaller restaurants, where it is the chef and not the concept that carries the evening. At Bottiglieria 1881 in Kazimierz a quiet Michelin star has been earned by doing what Polish grandmothers could do, with modern technique. At Pod Aniołami in a Gothic cellar beneath the Old Town, traditional dishes are served the way they were meant to be — slowly, with time between courses.

    Wine is the second surprise. Polish winemaking is young — really only properly revived in the 2000s — but the best wine cellars in Krakow now carry Polish bottles from Małopolska and Lubuskie alongside their Austrian and Slovenian neighbours. It is not because the wine is great yet. It is because it is honestly on its way, and Cracovians are willing to stand by it.


    Where to stay

    Hotel Copernicus in Stare Miasto sits in a fourteenth-century house with restored frescoes and a swimming pool in the original Gothic cellar. It is the closest the city comes to a historic grand hotel and worth booking well in advance. Across Rynek lies Hotel Stary, which is modern luxury inside an eighteenth-century palace — minimalist, but not cold, and with a rooftop terrace that catches the city’s silhouette on the right side of the evening light.

    For travellers oriented towards Kazimierz, Hotel Eden is a good choice — not because it is the most luxurious, but because it sits in the middle of the Jewish quarter and is run by a family who knows the neighbourhood better than any guide.


    Avoid

    Don’t come to Krakow on a weekend if you can avoid it. Cheap flights from Britain have turned Stare Miasto into a stag-weekend destination on Fridays and Saturdays, and it disrupts the city’s own rhythm in the Rynek area. Tuesday to Thursday, or late Sunday, is when the city moves at its real tempo.

    Skip the so-called “milk bar” restaurants packaged for tourists. The original milk bars still exist — canteens from socialist Poland where you can still eat pierogi and barszcz at low prices among local pensioners. But the tourist-oriented versions in Stare Miasto are pastiche.

    And finally: Auschwitz-Birkenau lies an hour and a half away and deserves its own journey, not an afternoon excursion. If you go, go with time and preparation. Krakow is a city you visit to understand the Poland that lives. That is a different journey.


    Arrivals from the Nordic capitals

    TravelTalk is a Nordic publication. Here is how Nordic readers reach Krakow.

    From Copenhagen: Direct to Kraków-Balice (KRK) with Ryanair and Norwegian, around 1 hour 45 minutes. Daily year-round.

    From Oslo: Direct with Norwegian and Wizz Air, around 2 hours. The Polish diaspora in Norway now numbers more than 100,000, and for many Norwegian travellers a journey to Krakow is a homecoming in miniature.

    From Stockholm: Direct with Ryanair and LOT, around 1 hour 50 minutes. Polish literature has a strong Swedish thread — Wisława Szymborska, Polish Nobel laureate in 1996, has been translated into Swedish with care and became formative for Nordic poetry.

    From Helsinki: Direct with Finnair and Wizz Air, around 2 hours 15 minutes. For Finnish travellers there is a historical parallel: both countries spent most of the twentieth century defining themselves between strong neighbours. That gives Krakow a familiar resonance.


    Factbox: practical Krakow

    Season: May to September for pleasant weather and long evenings. December for Christmas markets in Stare Miasto with an authentic Central European atmosphere. Avoid the last week of June and first week of July, when the Krakow Jewish Culture Festival fills Kazimierz completely — unless the festival is the reason for the trip.

    Language: English in better hotels and restaurants. Polish gratefully received in even small attempts.

    Currency: Polish złoty (PLN). Check current rates when planning.

    Hotels mentioned: Hotel Copernicus (ul. Kanonicza 16). Hotel Stary (ul. Szczepańska 5). Hotel Eden (ul. Ciemna 15).

    Restaurants mentioned: Bottiglieria 1881 (ul. Bocheńska 5, Kazimierz). Pod Aniołami (ul. Grodzka 35, Stare Miasto).

    Wawel: Castle and cathedral require separate tickets. Book online before arrival, especially in high season.


    This article is for: Culture · City breaks · Poland · Central Europe · Adult travel · Slow travel · Gastronomy · Jewish heritage

  • Warsaw, heard before it is seen

    Warsaw, heard before it is seen

    Old Town Market Square, Warsaw at dusk
    Photo: Rhododendrites / Wikimedia Commons (CC BY-SA 4.0)

    Poland’s capital is one of Europe’s most underrated cultural cities. It does not get the same attention as Vienna or Prague, and that is part of its strength. It is not in the business of selling itself — it is in the business of being itself.

    Culture · Poland

    It is a quarter to ten on a Thursday evening, and I am walking down a stairway to a cellar in Stare Miasto, where a piano trio is finding its first ballad. The jazz here has a particular quality: it is not trying to remind you of anything else. It is its own conversation, conducted at its own tempo. Above ground the Old Town has just turned quiet enough that you can hear your own footsteps on the stones. That is how Warsaw works. Only once you’ve slowed down.


    The rebuilt city is not a copy

    Warsaw was levelled in 1944. Eighty-five per cent of the buildings disappeared. What you see today in Stare Miasto is not the original — it is a deliberate reconstruction, completed in the years after the war using Bellotto’s eighteenth-century paintings as architectural reference. UNESCO placed the area on the World Heritage list in 1980, not because the houses were old, but because the act of reconstruction was itself a feat of cultural will.

    That gives Stare Miasto a strange quality when you walk through it. It is not an old town that survived. It is an old town that was called back to life. On Rynek Starego Miasta — the Old Town square — you sit in the afternoon at a café trying to find the line between what was reconstructed and what is real. After a while you give up. It is both at the same time. That is the point.


    The Royal Route, walked slowly

    Take the slow route from Krakowskie Przedmieście and don’t hurry. The Royal Route runs south towards Łazienki, past the presidential palace, the university and the Holy Cross Church, where Chopin’s heart rests in a pillar behind the inscription “where your treasure is, there will your heart be also.” It is the kind of detail the city does not advertise. You find it if you bother to walk slowly enough.

    The walk takes an hour if you stop at the cafés you pass. It takes twenty minutes if you are in a hurry. One of those two experiences is Warsaw. The other is a transit.


    Sunday afternoon at Łazienki

    Every Sunday from mid-May to the end of September, pianists play Chopin under the famous Chopin monument in Łazienki Królewskie. Noon and four o’clock. Two concerts, free, under open sky, surrounded by old forest and water.

    It sounds like a tourist arrangement. It is not. The pianists are internationally recognised, the repertoire is serious, and the audience consists in equal parts of locals with blankets and thermos flasks, and travellers who know what they have come for. You sit on the grass or on one of the benches. There is no reservation, no stage. Just a grand piano under the trees, and a quality of listening that is rare outside the concert hall.

    Afterwards you walk through the park to Pałac na Wyspie — the palace on the water — and onwards to the orangery, where one of Europe’s best-preserved eighteenth-century theatres still stages performances. With good planning, you can have a Sunday where Chopin in the afternoon and chamber music in the evening follow each other naturally. That is the kind of day a modern luxury journey is made of. Not because it is expensive — it really isn’t — but because it is right.


    Stalin’s gift, and what went on inside it

    Rising in the centre of Warsaw stands the Pałac Kultury i Nauki — the Palace of Culture and Science — 237 metres tall, a “gift” from Stalin to the Polish people in 1955, designed by Lev Rudnev as the westernmost of Moscow’s seven socialist-realist sisters. Poles have had seventy years to find a comfortable relationship with it. They are still not done. Each generation calls it something new: pajac, strzykawka, Stalin’s rocket. It is still standing, and it is still Poland’s landmark — like it or not.

    The interesting part is what went on inside it. In the 1960s the Palace of Culture housed two of Warsaw’s most legendary nightlife venues: the Russian restaurant Trojka, and the Kongresowa restaurant with its dance floor and striptease shows. This was the beating heart of Warsaw’s nightlife during the communist period — inside a building officially dedicated to Stalin. It is the kind of absurdity the city’s residents weren’t necessarily proud of, but which they also can’t pretend away. The Palace of Culture, after all, did house culture. Including the kind that moved on the dance floor after midnight.

    Today the building still contains four theatres, a multiplex cinema, museums, a swimming pool, the Sala Kongresowa concert hall where the Rolling Stones played in 1967, and more than ten bars and a nightclub. Take the lift to the thirtieth floor and stand on the observation terrace at 114 metres. You see the modern Warsaw that grew up around the monument. It is a cityscape that tells you more about the complexity of history than any guidebook.


    Jazz in the cellar, piano in the hall

    Warsaw’s jazz scene is one of the most serious in Europe, and almost no one outside Poland knows it. The club 12on14 in the Mokotów district programmes both Polish masters and international guests, and the room is built specifically for the small-format setting. Tygmont in the centre is where the younger Polish musicians try out new material. Both share the same quality: you come for the music, not for the atmosphere. The atmosphere adapts.

    That tells you something about the city’s character. Warsaw doesn’t need to lay atmosphere on top. The atmosphere comes from people being absorbed in what they are doing. The waitress knows the concert programme. The pianist knows the audience. It is a closed circuit of engagement, and as a traveller you are allowed to step into it without being sold anything.


    Where to stay

    Two hotels carry old Warsaw forward with quality. Hotel Bristol on Krakowskie Przedmieście has been serving coffee to successive generations of writers, statesmen and artists since 1901 — and it does not feel like a museum. It is a working grand hotel where the Art Nouveau has been restored with patience rather than pomp. Raffles Europejski, next door, is the modern counterpart: clean-lined, with a contemporary art collection in the corridors and a bar where locals actually meet in the evening. That last point is the most important indicator of whether a hotel is properly placed. The locals come.

    Below both runs the Royal Route, which you can walk all the way to Łazienki in an hour, if you take it slowly.


    Avoid

    Long days that try to fit “everything at once”. Warsaw doesn’t give back much if you treat it as a checklist. Three days with one main thread per day — Stare Miasto on one, Łazienki and the Palace of Culture on another, jazz and contemporary art on the third — and you’ll get more out of the city than most tourists do in a week.

    Skip the large tourist restaurants on the Rynek square itself. The food is average; the price is not. The serious modern Polish kitchen — mineral, precise, remarkable — is two streets away, where Varsovians eat themselves.


    Arrivals from the Nordic capitals

    TravelTalk is a Nordic publication. Here is how Nordic readers reach Warsaw.

    From Copenhagen: Direct to Warsaw Chopin (WAW) with LOT and SAS, around 1 hour 45 minutes. Daily year-round.

    From Oslo: Direct with LOT and Norwegian, around 2 hours. Norway has a quiet but persistent cultural connection to Polish exile literature — several of the Polish avant-garde writers found their first Nordic translators in Oslo.

    From Stockholm: Direct with LOT and SAS, around 1 hour 25 minutes. Sweden received thousands of Polish refugees in 1968, and the Polish-Swedish cultural exchange has remained unusually rich — particularly in poetry and film.

    From Helsinki: Direct with Finnair, around 1 hour 50 minutes. For Finnish travellers, Warsaw is the city that most directly mirrors Helsinki’s own experience: a capital that has had to redefine itself in the twentieth century, and that has chosen culture as the load-bearing element.


    Factbox: practical Warsaw

    Season: May to September for the Chopin concerts at Łazienki. December for the Christmas markets in Stare Miasto, which have a particular and quiet quality.

    Language: English in all better hotels and restaurants. Polish gratefully received in shorter phrases.

    Currency: Polish złoty (PLN). Check current rates when planning.

    Hotels mentioned: Hotel Bristol (Krakowskie Przedmieście 42/44). Raffles Europejski Warsaw (Krakowskie Przedmieście 13).

    Łazienki Chopin concerts: Every Sunday, mid-May to end of September, noon and 4pm. Free admission. Confirm dates at lazienki-krolewskie.pl.

    Pałac Kultury i Nauki: Observation terrace on the thirtieth floor, ticket at the entrance from ul. Marszałkowska. The building is open daily and contains theatres, cinema, museums and bars.


    This article is for: Culture · City breaks · Poland · Central Europe · Adult travel · Music · Architecture · Reconstruction and memory